The fable of The President’s Cake 
Cultural Transfusion in The Secret Agent
Review
Sonya Vseliubska investigates how Hasan Hadi’s new film reframes cinematic representations of Iraq
Review
Dylan Ingram comes to terms with the Brazilian Best Picture nominee
Review
Ellie Smith reflects on Cambridge’s own emotional architecture
Review
Daniella Adetoye highlights a production exemplifying exceptional student film-making
Opinion
Heidi Lewis discusses the longevity of The Traitors
Opinion
Daniella Adetoye believes that Hallmark films prioritise ambience over analysis
Feature
Imani Mokal-Russell unpacks the November film
Pam Noonpackdee, CUFA screenings officer, reflects on a term of weekly film showings
Review
Julia Ongking explores how Past Lives’ portrayal of fate challenges Hollywood narratives
Feature
Ollie Godkin uncovers a free streaming platform accessible to Cambridge students
Opinion
Hilary Lau explores the timelessness of Studio Ghibli films
Review
Ollie Godkin reviews Ncuti Gatwa’s uneven run as Doctor Who, and whether BBC’s longest-running sci-fi has run out of time
Review
Ria Patel examines how Diarmuid Goggins includes rather than uses d/Deafness in this new ITV crime drama
Opinion
Freya Compton returns from the Edinburgh Fringe to discuss the past, present, and future of TV comedy
Interview
Lara Davis interviews the cast and crew behind the student horror film Oxpecker
Opinion
Daisy Simpson explores what we can learn when we return to our childhood favourites
Review
Elspeth White explores the fever-dream nights out of Scorcese’s After Hours and Cambridge
Opinion
Ruby Randall reflects on our connection with Hugh Laurie and House MD
Watchlist
Ailbe Lonergan gives exam term recommendations for a season away from revision
Review
Jacob Smith explores the impact of Göransson’s soundtrack in the recently released Sinners
Feature
Lara Glennie explores whether cinema tickets can fit into a student budget
global frames
Johnny Massahi explores the rich cinematic history of Iran
Feature
Ruby Randall pays homage to Gene Hackman
Review
Angello Alcazar writes about the film’s portrayal of a family undergoring the horrors of totalitarian Brazil
