Timothée Chalamet and the era-fication of film marketing
The long 18th century on film
Why can’t I stop rewatching my favourite TV show?
Review
Mia Badby revisits the darkness of Kubrick’s Christmastime classic
Opinion
Ollie Godkin explores the science behind comfort shows
Review
Otto Bajwa-Greenwood reviews the first films by student film production society Silver Street Productions
Opinion
Daniella Adetoye questions the fate of Emerald Fennell’s star-studded Wuthering Heights adaptation
Global Frames
Hilary Lau explores how multiculturality has shaped Hong Kong cinema
Opinion
Freya Compton investigates our attraction to crime media
Review
Frida Bradbrook highlights the perfect film for those anxious to re-enter society
Opinion
Max La Bouchardiere examines how and why Alfonso Cuarón’s Children of Men still feels disturbingly familiar, two decades later
Review
Ollie Godkin examines how Fantastic Four: First Steps deviates from its predecessors
Commentary
Sadia Batool discusses how the beloved British emblem explores themes of displacement, immigration, and imperialism
Watchlist
Ruby Randall embraces the transience of the summer with these travelling recommendations
Opinion
Josh Pritchard reflects on the beginnings of HBO’s Harry Potter reboot
Watchlist
Daisy Simpson gives five lesser-recommended films to watch in the first post-exam flush of summer
Watchlist
Amanda Ljungberg guides you through the New Wave landscape
Review
Jacob Smith asks whether the latest season of The Last of Us lives up to the game
Review
Daisy Simpson revisits Good Will Hunting almost thirty years after its release to find out what it can teach us now
Opinion
Daisy Simpson explores why a TV cad like Tony Soprano is so subversively likable
list
Ruby Randall shares three films that are the perfect introduction to the work of director Sofia Coppola
opinion
Daisy Simpson fears that Amazon’s Bond takeover might be a sign of something darker
Review
Tom Rowe reviews Mike Leigh’s latest feature
Review
Inês Goes-Marlière reflects on Emilia Pérez’s fall from grace
Ellie Smith gives us the rundown on the sickliest and sweetest couples that have graced our TV screens
Opinion
Daisy Simpson asks why Gen Z are saying ‘no thanks’ to modern horror films
Watchlist
In the fourth edition of Global Frames, Maddie Robertson explores Irish cinema
