Introducing Sofia Coppola
Global Frames: Iran
global frames
Johnny Massahi explores the rich cinematic history of Iran
Opinion
Alisha Mafaas makes the case for rewatching childhood films and TV
Review
Angello Alcazar writes about the film’s portrayal of a family undergoring the horrors of totalitarian Brazil
Interview
Harrison Base speaks to Kelly McKaig about James Bidgood’s queer masterpiece Pink Narcissus
Maddie Robertson explores how Severance presents the all-too-real battle of corporate control and human autonomy
Review
Aaron Tan reviews Best Picture contender The Brutalist
Opinion
Why has the 21st century not served courtroom dramas justice?
Film Review
Amanda Ljungberg finds Anora bewildering and endearing
Opinion
Wuthering Heights casting choices are dividing the internet for no good reason, argues Daisy Simpson
Watchlist
Ismail Sheikh recommends the forgotten tv shows of the last decade
Column
In the first iteration of Global Frames, Gina Stock gives an introductory overview of the best films and filmmakers from Spain
Opinion
Reagan exposes the unprecedentedly large gulf that has formed between the critic and the audience
Feature
Hilerie Kwan investigates whether the gendered ageism of the romcom has finally been overcome
Watchlist
Iona Gallagher reminds all you interns out there to take a break and watch a film
Opinion
Xin Shackleton questions whether the Leaders’ Debate is as democractic as it’s cracked up to be
Discussion with spoilers
The first half of season three failed to meaningfully engage with the historical context
Opinion
Gina Stock urges moderation when it comes to our beloved comfort shows
Opinion
Wonka, Mean Girls and others are nothing but ill-conceived cash grabs
Interview
Syna Majumder speaks to the Film at Jesus co-presidents about student film competitions
Interview
Alex Brian chats to the students behind a new adaptation of this Jane Austen classic
