Cambridge’s secret box of broadcasting treasures
Is Emma Stone an alien in Bugonia?
Feature
Ollie Godkin uncovers a free streaming platform accessible to Cambridge students
Dylan Ingram reviews the new black comedy from acclaimed director Yorgos Lanthimos
Review
Ollie Godkin reviews Ncuti Gatwa’s uneven run as Doctor Who, and whether BBC’s longest-running sci-fi has run out of time
Commentary
Aaron Tan revisits Kurosawa’s classic in the wake of Spike Lee’s anticipated remake
Opinion
Freya Compton returns from the Edinburgh Fringe to discuss the past, present, and future of TV comedy
Interview
Jacob Smith interviews British director David Campion on the process and inspiration behind his latest film, Straight Through Crew
Opinion
Daisy Simpson explores what we can learn when we return to our childhood favourites
Interview
Elspeth White interviews Shaira Berg the mind behind the play turned film Gaslight
Opinion
Ruby Randall reflects on our connection with Hugh Laurie and House MD
Feature
Owen McGovern reflects on the screening of Dr. Penelope Anthias’s Urukurenda: In Search of the Land Without Evil
Review
Jacob Smith explores the impact of Göransson’s soundtrack in the recently released Sinners
Interview
Olivia Goodman interviews the team behind upcoming student film Eating Oysters
global frames
Johnny Massahi explores the rich cinematic history of Iran
Opinion
Alisha Mafaas makes the case for rewatching childhood films and TV
Review
Angello Alcazar writes about the film’s portrayal of a family undergoring the horrors of totalitarian Brazil
Interview
Harrison Base speaks to Kelly McKaig about James Bidgood’s queer masterpiece Pink Narcissus
Maddie Robertson explores how Severance presents the all-too-real battle of corporate control and human autonomy
Review
Aaron Tan reviews Best Picture contender The Brutalist
Opinion
Why has the 21st century not served courtroom dramas justice?
Film Review
Amanda Ljungberg finds Anora bewildering and endearing
Opinion
Wuthering Heights casting choices are dividing the internet for no good reason, argues Daisy Simpson
