Film
Orla Horan interviews a filmmaker who has thrived through the channels of the Watersprite Film Festival
Nadia Tadros examines our endless obsession with time-loops and Netflix’s latest original series
Film
Preferring the documentary Marwencol, Vee Thames questions the sensitivity of this cinematic portrait of a troubled artist
Film
In our current climate of hate and fear, Lillian Crawford criticises Adam McKay’s latest comedy drama for exacerbating the chaos
Film
Nothing could be more perfect for a winter afternoon than this sequel to Disney’s classic musical, says Lillian Crawford
Film
Film and TV Editor Madeleine Pulman-Jones tells you why this Hollywood classic should be your new essential Christmas movie
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