Interview
Olivia Goodman interviews the team behind upcoming student film Eating Oysters
Review
Jacob Smith asks whether the latest season of The Last of Us lives up to the game
Opinion
Alisha Mafaas makes the case for rewatching childhood films and TV
Opinion
Daisy Simpson explores why a TV cad like Tony Soprano is so subversively likable
opinion
Daisy Simpson fears that Amazon’s Bond takeover might be a sign of something darker
Review
Inês Goes-Marlière reflects on Emilia Pérez’s fall from grace
Review
Aaron Tan reviews Best Picture contender The Brutalist
Opinion
Daisy Simpson asks why Gen Z are saying ‘no thanks’ to modern horror films
Opinion
Why has the 21st century not served courtroom dramas justice?
watchlist
Alice Garcia Kalmus shows us the best places to find female rage on screen
Opinion
Wuthering Heights casting choices are dividing the internet for no good reason, argues Daisy Simpson
Column
In the third edition of Global Frames, Inês Goes-Marliere explores the cinema of Argentina
Column
In the first iteration of Global Frames, Gina Stock gives an introductory overview of the best films and filmmakers from Spain
Opinion
Interview with a Vampire’s costuming is a lesson in aesthetic and narrative harmony
Opinion
Reagan exposes the unprecedentedly large gulf that has formed between the critic and the audience
OPINION
Why are we so critical of live action remakes?
Watchlist
Iona Gallagher reminds all you interns out there to take a break and watch a film
Opinion
Disney should not get the credit for something that has long been part of the show
Discussion with spoilers
The first half of season three failed to meaningfully engage with the historical context
Opinion
The ‘adorkable’ princess archetype is just another instance of the film industry typifying women
Opinion
Wonka, Mean Girls and others are nothing but ill-conceived cash grabs
Dream Double Features
Both films structure the chaotic lives of their female protagonists into twelve chapters