Nomadland and the Return of the Cinematic Community 
Review
Miruna Tiberiu reviews Chloe Zhao’s Academy Award winning drama about a woman living a nomadic life around the American West.
Review
Columnist Arianna Muñoz reviews Argyris Papadimitropoulos’ ‘Monday’, starring Sebastian Stan and Denise Gogh as Americans swept up in a whirlwind romance in Greece.
Isabella Woolston considers how shifting the time of watching affected her experience with the Christmas-themed film ‘Happiest Season’.
Review
Izzy Landell Mills watches the debut film of former journalist and Birds of Prey director, Cathy Yan.
Tavy Oursin discusses John Powell’s invaluable contribution to a childhood favourite, exploring the key role soundtrack plays in immersing us into fantasy worlds.
Isabella Addo explains the pitfalls of rebooting shows despite their nostalgic appeal.
Film and TV Editor Charlotte Holah explores the beauty and significance of Studio Ghibli films, having never seen one until this term.
Ellie Etches reflects on finally settling down to watch one of the most popular animes of all-time.
While we all may be familiar with the concept of a late-night talk show in the USA, Rachael Kennedy considers their significance for a generation using comedy to engage politically.
Vulture Editor Isabel Sebode muses on the unsettling beauty of the experimental documentary Koyaanisqatsi
Film and TV Editor Charlotte Holah tells us why, for her, modern rom coms have yet to match the charm of the classics.
In the run-up to Valentine’s Day, Anika Kaul delves into the work of director Wong Kar-Wai, the master of bittersweet romance.
Review
Olivia Rhodes reviews Pieces of a Woman and its representations of grief, arguing that while uncomfortable, this film is one to watch.
Having watched one film for every day of January 2021, Tilda Butterworth explores the lessons she’s learnt.
Review
Anatoly Grablevsky reviews Luca Guadagnino’s TV debut.
Review
Ashley Roohizadegan reviews Miro Drobný’s film Who’s Next? (Kto je ďalší?).
WandaVision explores two lesser-known superheroes, free of the controversy surrounding DC’s Joker. An anonymous student questions whether, if successful, it could change comic-book movies forever
Nicole Mason reflects on the long-running Supernatural and its propensity to kill any semblance of queer characters over the course of its 15-year run.
Ben Wheatley’s latest Netflix adaptation of Du Maurier’s Rebecca is as underwhelming as it was unnecessary, writes Ben Philipps.
The simple sincerity of Hallmark Christmas movies is something we should not overlook this holiday season, writes Aisling Hamill
Review
Jillian Hong reviews HBO Max’s Raised by Wolves, a series that posed more questions than it answers, and debates whether the next season will go the same way
Never mind the fake blood, the treatment of women in horror is enough to send shivers down anyone’s spine, writes Rosalind Moran.
Ryan Yeap takes a dumpster dive into Rotten Tomatoes sub-50% section to unearth the (very) poor man’s Tommy Wiseau: director, actor, producer, and all-around auteur, Neil Breen.
K.C. Onuorah wades pre-2000s mire of revenge-comedy chick flicks, starting with the cult classic, John Tucker Must Die (2006)
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