Call me by my name: a first year in Cambridge in two films
The parallels between the first year at Cambridge and two of this year’s most influential films
The latest offering from the Argentinian auteur is part of an oeuvre marked by space and silence
Cult Conversations
Known as Lynch’s magnum opus, Mulholland Drive has become a staple in the cult genre. James Dickinson attempts to delve into its intricacies
Learn the subtle art of pretentious cinematic conversation
Tom Knight muses on an unlikely love story blossoming on the Yorkshire Moors 4 stars
Make Mine Music
Taking us on a whirlwind ride through the scariest soundtracks ever written, Lillian Crawford attempts to demystify the subtle art of horror film music
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