Reminiscing for research in classic Hollywood 
The Fruit of Silver Street’s Labour
Feature
Ruby Redwood and Dan Porritt return to classic Hollywood to ask how memory works
Review
Annabelle Werner attends the Cambridge Ukrainian Society’s documentary screening
Feature
Daniella Adetoye hears Cambridge student’s perspectives on the film review app Letterboxd
Watchlist
Heidi Lewis recommends the best (rom)coms for a happier Valentine’s
Feature
Our writers look back at the films from last year that stayed with them long after the lights came up
Review
Ruby Redwood argues that the highly-anticipated finale trades the heart of Hawkins for a bloat of CGI spectacle
Feature
Daniella Adetoye follows the Marty Supreme press tour
Guide
Dylan Ingram suggests 3 films to help immerse yourself in the long 18th century
Dylan Ingram shares his thoughts on Vince Gilligan’s highly anticipated newest show
Interview
Abigail Liew speaks to Singapore-born filmmaker Kirsten Tan on her career in Asia and beyond
Review
Lara Davis reviews Emily Knutsson’s short film Forgery
Opinion
Amanda Ljungberg examines the prestige directors turning their gaze on Gen Z politics
Opinion
Hilary Lau explores what war films conceal about the wars we see today
Opinion
Freya Compton considers the current state of British TV comedy
Watchlist
Joann Pereira shows us how we can go on our own journeys without leaving home
Review
Alice Cammegh reviews James Gunn’s highly-anticipated 2025 Superman
Review
Lara Glennie reviews Jurassic World Rebirth
Global Frames
Reuben Aston explores the rich cinematic history of Russia and the USSR
Watchlist
Hilary Lau celebrates Pride Month with a full menu of queer films
Feature
Salomé Gakwaya and Lara Glennie speak to the people behind Cambridge’s film scene
Feature
Lara Davis reflects on the current resonance of Black Mirror Season 7 as she balances seasonal escapism with exam stress
Opinion
Naviya Gupta questions the ethics of our obsession with biopics
Opinion
Ellie Smith examines the importance of love in a political YA story
Review
Seun Ige explores why Netflix’s incel thriller is exerting such a powerful pull on the public consciousness
