Crunchyroll and Funimation Merger: What does it mean for workers and consumers?
Why the cinema is not dead
‘Sex/Life’: plenty of sex and not a lot of life
Jungle Cruise (2021) and the trouble of adapting theme park rides to film
Columnist Ellie Etches discusses the upcoming merger between Crunchyroll and Funimation, commenting on controversies and concerns regarding their viewers and employees
Review
Elliot Aitken investigates whether Disney’s latest attempt to turn a theme park ride into a feature film has succeeded
Ryan Yeap takes a deep dive into the factors that make James Gunn’s recent remake of the 2016 film Suicide Squad outshine its predecessor
Feature
Brianna Mitchell lends her voice to the ongoing debate surrounding Scarlett Johansson’s lawsuit against Disney after Black Widow’s unexpected dual release
Deputy Film and TV Editor, Famke Veenstra-Ashmore, gives her review of the beautifully simple film Minari.
Review
Jillian Hong reviews the record breaking movie sequel to the hit anime.
Review
Miruna Tiberiu reviews Chloe Zhao’s Academy Award winning drama about a woman living a nomadic life around the American West.
Review
Columnist Arianna Muñoz reviews Argyris Papadimitropoulos’ ‘Monday’, starring Sebastian Stan and Denise Gogh as Americans swept up in a whirlwind romance in Greece.
Isabella Woolston considers how shifting the time of watching affected her experience with the Christmas-themed film ‘Happiest Season’.
Review
Izzy Landell Mills watches the debut film of former journalist and Birds of Prey director, Cathy Yan.
Tavy Oursin discusses John Powell’s invaluable contribution to a childhood favourite, exploring the key role soundtrack plays in immersing us into fantasy worlds.
Isabella Addo explains the pitfalls of rebooting shows despite their nostalgic appeal.
Film and TV Editor Charlotte Holah explores the beauty and significance of Studio Ghibli films, having never seen one until this term.
Ellie Etches reflects on finally settling down to watch one of the most popular animes of all-time.
While we all may be familiar with the concept of a late-night talk show in the USA, Rachael Kennedy considers their significance for a generation using comedy to engage politically.
Vulture Editor Isabel Sebode muses on the unsettling beauty of the experimental documentary Koyaanisqatsi
Film and TV Editor Charlotte Holah tells us why, for her, modern rom coms have yet to match the charm of the classics.
In the run-up to Valentine’s Day, Anika Kaul delves into the work of director Wong Kar-Wai, the master of bittersweet romance.
Review
Olivia Rhodes reviews Pieces of a Woman and its representations of grief, arguing that while uncomfortable, this film is one to watch.
Having watched one film for every day of January 2021, Tilda Butterworth explores the lessons she’s learnt.
Review
Anatoly Grablevsky reviews Luca Guadagnino’s TV debut.
Review
Ashley Roohizadegan reviews Miro Drobný’s film Who’s Next? (Kto je ďalší?).
WandaVision explores two lesser-known superheroes, free of the controversy surrounding DC’s Joker. An anonymous student questions whether, if successful, it could change comic-book movies forever
Nicole Mason reflects on the long-running Supernatural and its propensity to kill any semblance of queer characters over the course of its 15-year run.
