Anticipating Christopher Nolan’s The Odyssey
Why Stranger Things 5 was Duffer than previous seasons
Review
Efe Imoyin-Omene interrogates the impact of the new viral series
Feature
Our writers look back at the films from last year that stayed with them long after the lights came up
Opinion
Ollie Godkin explores the science behind comfort shows
Feature
Daniella Adetoye follows the Marty Supreme press tour
Opinion
Daniella Adetoye questions the fate of Emerald Fennell’s star-studded Wuthering Heights adaptation
Feature
Mia Badby unpacks Diane Keaton’s hallmark journey through Hollywood and beyond
Opinion
Freya Compton investigates our attraction to crime media
Interview
Otto Bajwa-Greenwood interviews the team behind student-led film production society Silver Street Productions
Opinion
Max La Bouchardiere examines how and why Alfonso Cuarón’s Children of Men still feels disturbingly familiar, two decades later
Opinion
Oliver Kingston questions the role of satire in our current political landscape
Commentary
Sadia Batool discusses how the beloved British emblem explores themes of displacement, immigration, and imperialism
Review
Julia Ongking unpacks ambition and sacrifice in When Life Gives You Tangerines
Opinion
Josh Pritchard reflects on the beginnings of HBO’s Harry Potter reboot
Review
Jacob Smith reviews Boyle’s latest addition to his post-apocalytic universe
Watchlist
Amanda Ljungberg guides you through the New Wave landscape
Review
Hilary Lau reflects on the disappointing finale of Netflix’s You
Review
Daisy Simpson revisits Good Will Hunting almost thirty years after its release to find out what it can teach us now
Review
Amanda Ljungberg returns to The White Lotus after the finale to assess whether it lives up to its previous seasons
list
Ruby Randall shares three films that are the perfect introduction to the work of director Sofia Coppola
global frames
Sophie Ennis recommends four must-watch films from Germany
Review
Tom Rowe reviews Mike Leigh’s latest feature
Review
Jaipreet Lully recommends a show to remind us that the end-of-term blues are worth taking one day at a time
Ellie Smith gives us the rundown on the sickliest and sweetest couples that have graced our TV screens
Review
George Pool explores the cinematic grammar of RaMell Ross’ latest feature
