To Pantomime, with affection
How to plan an American stage tour 
Weaving the web: making a freshers’ play
The sultry illusions and shattered selves of A Streetcar Named Desire
Feature
Ahead of the upcoming Michaelmas Panto, Kai Geere shares his thoughts on the beloved genre
Opinion
After an extensive term of performing, Gabrielle Kurniawan reflects on what it has taught her about love
Review
This classical reimagining is a stylish repicturing of the conflict between Carthage and Rome 3.5 stars
Review
A Bright Room Called Day is a stylish, thought-provoking piece that deserves your attention
Opinion
Sophie Ennis reflects on the importance of regional accents when performing Shakespeare
Daisy Simpson talks to the writer of The Sixth Commandment
Opinion
Josh Pritchard reflects on the rigidity of copyright in amateur theatre
Opinion
Daisy Simpson reflects on the risks of adapting Shakespeare plays
Fringe Diaries
Lorna Beal discusses the highs and lows of the Edinburgh Fringe
Feature
Panicking ahead of your first show? Kate Woodman is here to help!
Opinion
Creative venture or cop-out? Shan Tan-Ya thinks film-to-stage adaptations are both
Feature
Ever wondered about applying for one of the most under-discussed roles in CamDram? Kaitlyn Butterly has you covered!
Preview
Kate Woodman attends a rehearsal of the upcoming ADC Austen production, talking love, humour, and authenticity with director Abi Beton and star Elizabeth Peni Brooks
Feature
Varsity‘s Theatre team take a look at the unsung heroes of any good Cambridge production
Preview
Shan Tan-Ya talks comedy, Catholicism, and creative catharsis with the team behind this fringe-bound show
Preview
Daphne Stavride sits down with Trinity College’s playwright-in-residence to discuss her upcoming play, MESSIAH
Opinion
Shan Tan-Ya argues for the theatre as ability to revitalise the polical themes of the cult classic
Opinion
Josh Pritchard discusses the importance of accessible theatre experiences and the
Review
We are not as far from the violence, suspicion, and humiliation of the witch trials as we might like to think
Preview
Zach Lonberg chats with Footlight and filmmaker Sameera Bhalotra Bowers about The Golden God, a mockumentary spoof of the Cambridge theatre scene
Review
Elena Brown Moreno finds Jean Anoulih’s reproduction of the Greek tragedy in dynamic form at the Playroom
Review
A Day in May captures heartbreak and humour against the struggle for gay marriage in Ireland
Review
Murdoch and Priestley’s play of ever-shifting relationships strives towards a gripping performance
Review
This bold production provides food for ethical thought, even if the protagonist is too bad to be morally ambigious
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
