Emma Robinson interviews Georgie Deri and Becca Mayer about their new company Sandcastle Theatre
Anna Trowby calls upon Cambridge Theatre to address ‘strident racist attitudes’
Preview
Damian Smith previews the Cambridge Impronauts new show: BREAKING
Cerian Craske previews their new play The Way to San Francisco.
Review
Jasmine Regan Feldman reviews the new student written play ‘The Passion’ 4 stars
Emma Robinson reviews the comic butchering of classic cinema in the Impronauts latest online offering
Streamed theatre may be a good temporary fix in the absence of live theatre, but, as Theatre Editor Emily Moss argues, there’s nothing quite like the real thing.
Review
Joshua Robey reviews the Royal Shakespeare Company’s latest production, a fascinating virtual-live theatre hybrid inspired by Shakespeare’s A Midsummer Night’s Dream.
Preview
Writer-director Jonathan Powell gives an insight into his new show, The Balloonist Masterplan: Forgotten Lives.
Review
Joshua Robey reviews Good Grief, now streaming until 15th April through Original Theatre Online, and explores its relation to previous incarnations of “pandemic theatre” in the COVID era.
Review
Joshua Robey reviews Lolita Chakrabarti’s touching new play, Hymn, as it premiers as a live-streamed, socially distanced production from the Almeida Theatre.
Rosie McLeish explores why Twisted – StarKid’s innovative, satirical take on Disney’s Aladdin – contains the perfect ingredients for a genuinely fresh ‘reimagining’ of a Disney classic.
Review
Eliza Pepper reviews Tomorrow’s News, finding it an apt mixture of dramatic chaos and razor-sharp satire. Tomorrow’s News airs every Saturday at 21:00, on Cam FM.
Review
Angela Tsui reviews Lagging’s first episode, enjoying the string of online shenanigans despite their tendency towards the melodramatic. Lagging airs every Sunday at 20:00 on the Lagging Youtube channel. 3.5 stars
Review
Joshua Robey reviews Duncan Macmillan’s Lungs.
Review
Columnist Jasmine Regan Feldman reviews the Royal Shakespeare Company’s last performance before their theatre’s closure in March 2020.
Review
Columnist Katie Ashmore-Marsh reviews the latest BBC incarnation of Alan Bennett’s “The Outside Dog”.
Gregory Miller promotes I Swear I’m Not Doing a Bit in Lent with characteristic wit. Airing on Cam FM, Fridays at 6pm.
Why the Cambridge acting scene is not as ‘meritocratic’ as it might seem
Helen Turner-Smyth has nothing but praise for this ‘poetic tribute’ to Scottish theatre past and present
Interview
As the theatre world grapples with social distancing rules, Nell Burnham speaks to guitarist Matthew Burgass about what this ‘new normal’ might mean for pit orchestras and bands
A curated pick of the best streamed theatre from Cambridge and beyond from theatre editors Alice Byrne and Amber De Ruyt
Samuel Macdonald takes us through what it’s like to be the mind behind the music in Cambridge Theatre
Sponsored Links
Partner Links
![[BLANK] is complex and expressive, but falls short in its experimentation](/images/dyn/t/store/320/180/35187.jpeg)
