Crossing Points devastates the Corpus Playroom
A funny pitch with dubious politics: A Very Divine Election
‘Hope is the enemy’ in Scenes from the Climate Era
Review
Nikita Vajrala praises this compelling exploration of identity and the search for belonging 4.5 stars

Review
Barney Sayburn reflects on his evening watching CUMTS’ offering for the Camden Fringe

Interview
Following its run at Cambridge, Daphne Stavride speaks with the producer and director of this visionary musical

Feature
Lauren Quinn considers what makes the chapel perfect for performing Shakespeare

Interview
Francesca Evans sits down with comedians Flora Maxwell and Grace Wakeman to talk about their solo comedy shows

Preview
Set in King’s Chapel, this production promises to be a haunting exploration of religion

Preview
Barney Sayburn gives a glimpse of the performers and performances we can expect in this year’s showcase

Review
The Pembroke Player’s production delivers compelling connections and revelations, says Lucy Farmer4 stars

Preview
Before the second show of their run at The Corpus Playroom, Eleanor Baldwin speaks with the show’s director

Preview
This charming production by the Downing Dramatic Society looks to celebrate Sondheim’s classics

Opinion
Daisy Simpson considers Corpus Playroom against the ADC

Opinion
Ella Hardy explores how digitalisation could improve Cambridge theatre

Preview
Eleanor Baldwin outlines her experience as a first-time assistant director on this upcoming student epic

Feature
Ahead of the upcoming Michaelmas Panto, Kai Geere shares his thoughts on the beloved genre

Preview
Alex Brian talks to the creators behind this sold out surrealist show

Review
This classical reimagining is a stylish repicturing of the conflict between Carthage and Rome 3.5 stars

Feature
Shan Tan-Ya asks the creators behind a hit audio drama to discuss the genre’s relationship to theatre and other mediums.

Opinion
Sophie Ennis reflects on the importance of regional accents when performing Shakespeare

Opinion
Elsie Hayward unravels the bubble of Cambridge theatre fame

Opinion
Josh Pritchard reflects on the rigidity of copyright in amateur theatre

Fringe Diaries
Lorna Beal catches up with the former footlight ahead of her upcoming Camden show

Fringe Diaries
Lorna Beal discusses the highs and lows of the Edinburgh Fringe

Feature
Trade the auditorium for a bar stool and enjoy a night of solos and sips, says Daphne Stavride

Opinion
Creative venture or cop-out? Shan Tan-Ya thinks film-to-stage adaptations are both