Why is there not a theatre studies course at Oxbridge?
Emma: handsome, if not always clever 
Britain’s dying Oxbridge play: should we still be staging Bennett?
Me and My Year of Casual Monasticism is back with repentance
Opinion
Kate Woodman interrogates the reasons behind the lack of a theatre degree at Oxford and Cambridge
Despite grappling with some engaging ideas, Josh Pritchard isn’t quite convinced by this surrealist adaptation of Austen’s life
Preview
Kaitlyn Butterly sits down with Toby Trusted to discuss the complexities of gender swapping
Hollywood hits Cambridge in this easily-overlooked treat
Feature
Bethinn Feely talks with BATS Technical Director Finlay Wyer about his aim to change the working relationship between ‘techies’, actors, and production teams
Review
Despite (or perhaps because of) its lingering ambiguity, Friends of the God delivers a visceral, unsettling experience
Review
Leon Rake finds L’incoronazione di Poppea beautiful and engaging despite the long runtime
Review
This ambitious student-written piece examines the friendship between painters Lucian Freud and Frank Auerbach
Opinion
In recent years, local theatre has generally had a steep decline in patronage, so it’s more important than ever to give your local its dues
Opinion
From inappropriate laughter, dropping a metal water bottle, and unwanted heckling, the audience is often the most surprising part of a performance
Opinion
Millie Wooler discusses whether Cambridge’s theatre scene is all it’s cracked up to be
Feature
Josh Pritchard shares his pearls of wisdom with fellow budding Camdram playwrights
Opinion
Sometimes the most memorable shows are not necessarily the ones that get five-star reviews
Feature
Within the positive movement towards more opportunities for BME actors, Emma Mai-Yun Dawes considers the place that racially ambiguous actors hold
Review
This year’s CAT pantomime isn’t quite a perfect fit
Review
Milly Kotecha enjoys the festive fun of this original take on the Shakespeare classic 3.5 stars
Review
Bethinn Feely found this year’s freshers’ musical to be dynamic, exciting, and star-studded five stars
Review
The West End musical left us disappointed by horrific depictions of suicide and sexual violence, all tied up with a jaunty jingle
Review
This new piece of student writing has many important things, at just the right time
Review
Lily Butler is perplexed by this production of Filumena’s wasted potential
Review
This take on Orwell at the Arts Theatre is an all-too immersive experience
Preview
Hector Day-Lunn gets an insight into the process behind getting this important BME production onto the ADC stage
Fresher's Guide
Gina Stock walks you through written application to pitch your very own Camdram show
Feature
Jack Marley dives into the college theatre society’s fruitful past
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
