The importance of a cheap ticket 
Balancing scripts and seminars: the drama of keeping on top of theatre and academia
Back to the end of the world: why we needed the stage adaptation of Dr Strangelove
Interview
Bethinn Feely speaks with the new Designer’s Rep at the ADC about inspiration, the depths of the costume store, and the importance of collaboration
Opinion
Shan Tan-Ya argues for the theatre as ability to revitalise the polical themes of the cult classic
Review
Student theatre thrives on ambition, but Dunhuang tests whether this alone can carry a story across centuries, cultures, and a sparse stage
Review
We are not as far from the violence, suspicion, and humiliation of the witch trials as we might like to think
Review
Despite some standout performances, Chaos Theory suffers from comedic inconsistency, technical mishaps, and a lack of direction
Review
Elena Brown Moreno finds Jean Anoulih’s reproduction of the Greek tragedy in dynamic form at the Playroom
Review
Built from real voices and real tragedy, The Laramie Project is an emotionally charged story of hate and retribution
Review
Murdoch and Priestley’s play of ever-shifting relationships strives towards a gripping performance
Preview
Josh Pritchard talks to director Wahida Seisay about Symptom of Life‘s creative goals and journey to the stage
Review
An 80s aesthetic injects style and energy into Bloody Poetry’s characters – but can’t quite bring them to life
Opinion
Josh Pritchard argues that the Cambridge theatre scene is missing the brilliance of the one-person show
Opinion
Bethinn Feely power of the lighting crew to make or break a theatre show
Feature
Elsie Hayward sits in on a CU Show Choir rehearsal and becomes swept up in all things Glee
Review
This double feature revives two masterfully-plotted gems from Maurice Maeterlinck
Feature
Gina Stock writes a love letter to two recent Cambridge cabaret shows – and the genre as a whole
Review
Bethinn Feely is strongly compelled by this student-written psychological study
Review
With its poignant depiction of the culture of rural Donegal, Dancing at Lughnasa leaves its audience feeling nostalgic
Review
Millie Wooler finds this cast more than matches the demands of the text – and its stage
Camdram Diaries
Milly Kotecha looks forward to getting the ball rolling on a unique production this term
Jaysol Doy reflects on the work of the much-neglected writer Robert Holman
Opinion
What do the rising costs at Edinburgh mean for equality in theatre?
Opinion
Elsie Hayward brings attention to a little-discussed access issue with Camdram: the walk home at night
Review
This tightly-packed play tackles friendship, ageing, and the importance of forgiveness with wonderful aplomb
Review
The famous group’s Fringe show is a success despite some weak patches
Camdram Away from Cambridge
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
