Not another sad gay – what are we actually staging as queer theatre? 
Footlights’ Helen Brookes on all things comedy 
Feature
Panicking ahead of your first show? Kate Woodman is here to help!
Feature
Leon Rake questions the politics of queer theatre in Cambridge
Feature
Ever wondered about applying for one of the most under-discussed roles in CamDram? Kaitlyn Butterly has you covered!
Opinion
Millie Wooler praises the efforts of the performances ditching the CD for the real thing
Feature
Varsity‘s Theatre team take a look at the unsung heroes of any good Cambridge production
Leon Rake thinks Cambridge theatre is more important than ever – even as most stories are streamed, swiped, or skipped entirely.
Preview
Daphne Stavride sits down with Trinity College’s playwright-in-residence to discuss her upcoming play, MESSIAH
Opinion
Katherine Stockton explores the problematic implications of Alan Bennett’s The History Boys
Opinion
Josh Pritchard discusses the importance of accessible theatre experiences and the
Feature
Lillian Jones dissects the experiences of four finalist thespians, pulling back the curtain on the highs and lows of Cambridge theatre
Preview
Zach Lonberg chats with Footlight and filmmaker Sameera Bhalotra Bowers about The Golden God, a mockumentary spoof of the Cambridge theatre scene
Opinion
Exploring the complexities of mental health on stage can be instrumental to de-stigmatisation, but comes with its risks
Review
A Day in May captures heartbreak and humour against the struggle for gay marriage in Ireland
Preview
Chloe Chapman-Deas talks to the creative team in charge of this year’s CUOS Mainshow at the West Road Concert Hall
Review
This bold production provides food for ethical thought, even if the protagonist is too bad to be morally ambigious
Preview
In time for LGBTQ+ history month, Shan Tan-Ya interviews the directors of The Laramie Project
Preview
Elena Brown Moreno interviews the team behind a student-written play about a dog trial like no other…
Camdram Diaries
Julia Slawska shares her experience of converting her passion for fashion into a Camdram costume designing gig
Opinion
Bethinn Feely reveals how being a steward is Cambridge’s theatre’s (worst-kept) secret
Opinion
What can gender-swapped Shakespeare tell us about the limits in our understanding of gender?
Review
Joe Short sees much to admire in this student-written one-woman show – despite some flaws3.5 stars
Jack Marley gets candid about taking a step back from Camdram
Review
Cyrano de Bergerac is an elegant production that creatively presents spoken word theatre
Review
After a rocky start, Negotiating With the Dead strikes gold.
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
