Loos Loos: an unflinching gaze at teenage girlhood
Opinion
The meaning of a play, Eleanor Baldwin argues, lives in the dialogue of its audience
Fringe Diaries
Alex Brian sits down with Ella Thornburn & Maya Calcraft to discuss the development of this exceptional Fringe show
Interview
Kate Woodman sits down with Footlights member Helen Brookes to discuss Smokers Events, her first time doing sketches and the importance of women in comedy
Preview
Daisy Bates sits down with the writers of the Fringe-bound musical 1816: The Year Without a Summer
Opinion
Millie Wooler questions whether Renaissance theatre is still quite so relevant as CamDram would have you believe
Review
This bold piece of dystopian theatre provides thought-provoking material on how we choose to judge others
Review
Age cannot wither this musical’s utter brilliance
Opinion
How do a few of the biggest venues in Cambridge theatre shape the atmosphere of the shows staged there?
Review
This ambitious play provides much food for thought, even if its material proves a little too daunting
Theatre
Josh Pritchard finds this satirical opera is limited by its scope, even though there’s still plenty to enjoy 3.5 stars
Interview
Zach Lonberg reports from London, where Cambridge alums Nicholas Hytner and Helen Castor talk Richard, Shakespeare, and Bailey in The Conversation
Feature
Abril Duarte González explores the creative process behind set design, the limitations it faces, and its place in the future in conversation with Isabella Bottle
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/640/480/51379.png)
Opinion
Millie Wooler wonders whether we really need a ‘wooden O’
Review
This student-written piece balances fun and humour with its serious message
Review
Josh Pritchard finds Ill-Divining Souls to have a lot of potential, but it fails to make much of an impact
Review
Once does ‘girl meets guy’ perfectly, pairing a phenomenal cast with extraordinary music
Review
Emotional, if occasionally saccharine, there’s no greater recommendation for this show than the enthusiasm of its audience
Review
This crime-themed sketch show creates an energetic atmosphere, even if some jokes miss the mark
Opinion
Milly Kotecha breaks down the fear and tremulation behind the most daunting of theatre practises: the self-tape audition
Review
Naomi Cray finds this gender-swapped production preserves the humour and beauty of one of Shakespeare’s best
Josh Pritchard shares what his first Camdram rejection taught him
Opinion
Iris Jopp considers the restrictive nature of student theatre and how ambition can be born out of limitation
Review
Mirror, mirror, on the wall, what’s the worst panto of them all?
Review
This production exploring the inescapability of mental illness wondrously sucks the audience in
