The Bloody Chamber is disappointingly lacklustre
Freshers come together to create a Beautiful Thing
Nell Gwynn does not quite deliver all its punchlines
You’re dead and I’m eating Pic’n'Mix is a real treat
Angela Carter’s psychosexual horror does not translate in this production, which fails to create tension or intrigue. 2.5 stars
Fireside Theatre discuss their production of Schiller’s tragedy, and the powerful historical women who take centre stage.
Cadence Ware’s new play has potential but is lacking energy and nuance 2.5 Stars
Matthew Sargent discusses Trinity College Music Society’s chapel production of Giulio Cesare in Egitto, Handel’s ‘variable and vibrant’ Egyptian epic opera.
Tom Foremand discusses the motives behind writing his new play, Big Boys Don’t Cry, and the importance of tackling issues of male mental health sensitively and accurately.
Sarah Taylor discusses the farcical retelling of this Sherlock Holmes story, and the challenge of staging such a technical show in the Corpus Playroom.
Sponsored links
