The Great Gatsby is an enthralling spectacle
Jazz, secrets, and splendour in CUMT’S The Great Gatsby
A look behind the spotlight
Private Lives is a campy, slapstick delight 
Review
The Pembroke Player’s production delivers compelling connections and revelations, says Lucy Farmer4 stars
Review
Ella Hardy argues that this production captures the glittering excess of the Jazz Age
Preview
This charming production by the Downing Dramatic Society looks to celebrate Sondheim’s classics
Opinion
Daisy Simpson explores the place of sex, drugs and graphic images on the student stage
Opinion
Ella Hardy explores how digitalisation could improve Cambridge theatre
Opinion
Barney Sayburn makes the case for site-specific theatre
Feature
Ahead of the upcoming Michaelmas Panto, Kai Geere shares his thoughts on the beloved genre
Opinion
After an extensive term of performing, Gabrielle Kurniawan reflects on what it has taught her about love
Review
This classical reimagining is a stylish repicturing of the conflict between Carthage and Rome 3.5 stars
Review
A Bright Room Called Day is a stylish, thought-provoking piece that deserves your attention
Opinion
Sophie Ennis reflects on the importance of regional accents when performing Shakespeare
Daisy Simpson talks to the writer of The Sixth Commandment
Opinion
Josh Pritchard reflects on the rigidity of copyright in amateur theatre
Opinion
Daisy Simpson reflects on the risks of adapting Shakespeare plays
Fringe Diaries
Lorna Beal discusses the highs and lows of the Edinburgh Fringe
Feature
Panicking ahead of your first show? Kate Woodman is here to help!
Opinion
Creative venture or cop-out? Shan Tan-Ya thinks film-to-stage adaptations are both
Feature
Ever wondered about applying for one of the most under-discussed roles in CamDram? Kaitlyn Butterly has you covered!
Preview
Kate Woodman attends a rehearsal of the upcoming ADC Austen production, talking love, humour, and authenticity with director Abi Beton and star Elizabeth Peni Brooks
Feature
Varsity‘s Theatre team take a look at the unsung heroes of any good Cambridge production
Preview
Shan Tan-Ya talks comedy, Catholicism, and creative catharsis with the team behind this fringe-bound show
Preview
Daphne Stavride sits down with Trinity College’s playwright-in-residence to discuss her upcoming play, MESSIAH
Opinion
Shan Tan-Ya argues for the theatre as ability to revitalise the polical themes of the cult classic
Opinion
Josh Pritchard discusses the importance of accessible theatre experiences and the
