Girl time before heinous crime: Penelope Quadrangle is back!
Witches, war, and wicked ambition: Macbeth hits the road
Pride & Prejudice looks to be astounding
Preview
Daphne Stavride sits down with the team behind the highly anticipated CAST tour
Preview
Ahead of the acclaimed show’s revival at the Edinburgh Fringe, Josh Pritchard sits down with writer Amenie Groves
Review
Millie Wooler finds both highs and lows in Me and My Year of Casual ‘Monasticism’
Review
Elena Brown Moreno is strongly compelled by this sophisticated exploration of contemporary politics
Opinion
In a tense political climate, Millie Wooler argues musical theatre is more relevant than ever
Interview
Bethinn Feely speaks with the new Designer’s Rep at the ADC about inspiration, the depths of the costume store, and the importance of collaboration
Review
Leon Rake thinks Sola is what it means to touch emptiness – to realise that absence is never truly empty, but full of echoes that refuse to fade
Review
Student theatre thrives on ambition, but Dunhuang tests whether this alone can carry a story across centuries, cultures, and a sparse stage
Review
Caryl Churchill’s masterpiece reminds us that environmental disaster is never ‘far away‘
Review
Despite some standout performances, Chaos Theory suffers from comedic inconsistency, technical mishaps, and a lack of direction
Review
Josh Pritchard finds that Wild Swimming lives up to the ‘wild’ in its name, even if by the end the action can get repetitive
Review
Built from real voices and real tragedy, The Laramie Project is an emotionally charged story of hate and retribution
Review
This sad, wickedly funny play is diligently staged and performed
Preview
Josh Pritchard talks to director Wahida Seisay about Symptom of Life‘s creative goals and journey to the stage
Round-up
What did theatre writers, editors, and causal viewers think of Camdram last term? Which show had the most laugh out loud moments? Which lead had the performance of their career?
Opinion
Josh Pritchard argues that the Cambridge theatre scene is missing the brilliance of the one-person show
Review
This politically driven play demonstrates creative potential, but ultimately loses its way
Feature
Elsie Hayward sits in on a CU Show Choir rehearsal and becomes swept up in all things Glee
Review
This impressively acted play finds itself running out of things to say
Feature
Gina Stock writes a love letter to two recent Cambridge cabaret shows – and the genre as a whole
Review
This chemical romance delivers outsanding direction and performances
Review
With its poignant depiction of the culture of rural Donegal, Dancing at Lughnasa leaves its audience feeling nostalgic
Naomi Cray lauds this production’s modern vision and renewed focus on its female characters
Camdram Diaries
Milly Kotecha looks forward to getting the ball rolling on a unique production this term
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
