Planned changes to the Footlights Committee show BME representation is finally being taken seriously
The Footlights should nurture and promote comedy in Cambridge in all its forms – but they have been failing to do enough for accessibility
With its enormous cast and crew, this year’s Lent Term Musical showcased Cambridge talent, but somewhat missed the mark in engaging with its problematic subject matter 3.5 stars
The winner of this year’s Footlights’ Harry Porter Prize provides plenty of laughs and leaves the audience with an uplifting message at the end 4 STARS
Sarah Ruhl’s The Clean House is a challenging script to work with, but director Phoebe Segal and the cast brought the play to life with a stunning level of subtlety and sensitivity 4 STARS
Sarah Ruhl’s play brings a clash of North and South America to the Corpus Playroom
This intimate and cyclical play continues the story of Shakespeare’s most famous protagonists – but not in the way you might expect
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