Inside the double life of a thespian student 
Amadeus in the Chapel balances grandeur and intimacy 
Hamlet in the Chapel: Shakespeare, sanctified 
Feature
Barney Sayburn explores the difficult realtities of juggling drama and degree
Review
James Critchley argues this production comes alive with its arresting performances
Review
Parsiah Brandon looks back on the delightfully chaotic Corpus late show 4 stars
Preview
Nabiha Ali belives this production promises to be emotionally nuanced and fulfilling
Review
Nikita Vajrala revels in the chaos of the Arts Theatre’s Austen based improv 4.5 stars
Feature
Daphne Stavride argues that superstitions are part of theatre’s charm
Opinion
Barney Sayburn questions the platitudes offered to nervous actors and provides some functional advice
Feature
Josh Pritchard considers how this plucky duo is redefining publicity
Preview
Dhyan Ruparel discusses reinterpretation with professional director Michael Oakley and assistant director Sophia Orr
Preview
Josh Pritchard investigates the secret to this group’s indelible charm
Interview
Eleanor Baldwin meets the two faces of Trinity Hall’s college theatre: Martha Alexander and Thomas Gladstone
Interview
While cooking dinner, Daniel Kamaluddin chats with Cecily Chitty about the importance of college theatre
Review
This slow-burn production, underset by haunting cello music, combines incredible performances with sharp technicality
Daisy Bates recalls a month spent taking Macbeth on the road
Feature
Eleanor Baldwin reflects on the joys of outdoor Shakespearean theatre
Feature
Shan Tan-Ya sits down with three MPhil students to discuss their experiences in Cambridge theatre
Millie Wooler meditates on Bradford’s contributions to theatre
Unsure of what shows to see during the UK’s biggest theatre festivals? Daphne Stavride has you covered!
Feature
Leon Rake breaks down the intricacies of dating a thespian, offering a few words of wisdom (and some ibuprofen) along the way
Preview
Daisy Bates talks kazoos, woods, and collective nostalgia with co-directors Matti Breje and Emily Megoran
Opinion
Leon Rake thinks Cambridge theatre is more about being seen than truly watched
Opinion
Kate Woodman interrogates the reasons behind the lack of a theatre degree at Oxford and Cambridge
Despite grappling with some engaging ideas, Josh Pritchard isn’t quite convinced by this surrealist adaptation of Austen’s life
