Jake Rose reflects on bringing Doctor Whom to the Fringe
Stage revivals like Anything Goes and Carousel are safe bets for producers. But when profits the priority what’s left for theatre? By Lucy Sargent.
Review
Emma Robinson reviews Sean O’Neill’s The Parnassus Players
Review
Jasmine Regan Feldman reviews the experimental ADC lateshow, The Trouble With Today’s Women 3.5 stars
Preview
Writer Emma Robinson previews her play Lost Boy, which is being staged at the Corpus Playroom next week
Preview
Writer Gregory Miller and AD Phil Tarrant preview Memento Mori, an ADC Lateshow on next week
In the first of her series on dance in the time of Covid, Ellie Hunt reflects on ballet: its connotations and its eternal relevance
Preview
Cast member Nicole Tilby previews a new student written musical ‘No Cash Left on the Premises Over Night’
Review
Columnist Jasmine Regan Feldman reviews Lagging, the five episode YouTube web-series by the cast and crew of 5 Lesbians Eating a Quiche.
Niamh Curran examines the unlikely viral success of “TikTok musical” Bridgerton the Musical, inspired by the smash hit Netflix show.
Dixie McDevitt explores the debate around theatrical “nepotism”, and how it can be confused with positive collaboration
Review
Columnist Katie Ashmore-Marsh finds that Jack & Master’s showcase is at its best when the full cast collaborates.
Theatre Editor Emily Moss explores the worrying lack of representation for LGBT+ women in theatre, questioning where to go from here.
Review
Natacha Maurin reviews the latest performance from one of Cambridge’s favourite drag kings, Grant Favours.
Holly Pearce discusses how the monotony of a year spent in numerous lockdowns led to an unexpected but important realisation about her future.
Alex Haydn-Williams reviews Brian Friel’s Faith Healer.
Review
Sophia Till reviews two monologues from Alan Bennett’s acclaimed Talking Heads series, which were filmed for television in 2020 and later performed on stage at London’s Bridge Theatre.
Baz Luhrmann’s flamboyant hit is a kick in the face to pretentious film-critics – and the lockdown blues, writes Genevieve Badia-Aylin.
Callum Beesley explores how storytelling is a form of theatre, questioning what has been lost and found in the ongoing pandemic.
Amber De Ruyt takes us through the ins and outs of producing student theatre.
Preview
Charlene Collins lifts the lid on the (spooky) return of a drag phenomenon
Izzy Burns talks about her first theatre experience and why clapping is so important
‘If we can stage Shakespeare, why not Kathakali?’ Vidya Divakaran explores a different side to Cambridge theatre
Feature
Sheamol Obeda describes his experience discovering theatre at Cambridge and how being part of the BME community changed that journey
![[BLANK] is complex and expressive, but falls short in its experimentation](/images/dyn/t/store/320/180/35187.jpeg)
