CU Show Choir is the end to Bridgemas you deserve
Scavenging for The Merman
Panto is theatre’s lifeblood
To Pantomime, with affection
Preview
Josh Pritchard investigates the secret to this group’s indelible charm
Interview
While cooking dinner, Daniel Kamaluddin chats with Cecily Chitty about the importance of college theatre
Review
Daphne Stavride reviews this atmospheric and emotionally charged production of A Streetcar Named Desire
Review
This slow-burn production, underset by haunting cello music, combines incredible performances with sharp technicality
Fringe Diaries
Emily Knutsson ruminates on the nature of jealousy and academic competition
Feature
Eleanor Baldwin reflects on the joys of outdoor Shakespearean theatre
Feature
This innovative genre prioritises more than just sight and sound
Millie Wooler meditates on Bradford’s contributions to theatre
Leon Rake questions whether reviews are an unnecessary strain on peer relationships
Feature
Leon Rake breaks down the intricacies of dating a thespian, offering a few words of wisdom (and some ibuprofen) along the way
Feature
Kaitlyn Butterly hosts a costume designer roundtable
Opinion
Leon Rake thinks Cambridge theatre is more about being seen than truly watched
Preview
Daphne Stavride sits down with the team behind the highly anticipated CAST tour
Despite grappling with some engaging ideas, Josh Pritchard isn’t quite convinced by this surrealist adaptation of Austen’s life
Review
Millie Wooler finds both highs and lows in Me and My Year of Casual ‘Monasticism’
Hollywood hits Cambridge in this easily-overlooked treat
Opinion
In a tense political climate, Millie Wooler argues musical theatre is more relevant than ever
Review
Despite (or perhaps because of) its lingering ambiguity, Friends of the God delivers a visceral, unsettling experience
Review
Leon Rake thinks Sola is what it means to touch emptiness – to realise that absence is never truly empty, but full of echoes that refuse to fade
Review
This ambitious student-written piece examines the friendship between painters Lucian Freud and Frank Auerbach
Review
Caryl Churchill’s masterpiece reminds us that environmental disaster is never ‘far away‘
Opinion
From inappropriate laughter, dropping a metal water bottle, and unwanted heckling, the audience is often the most surprising part of a performance
Review
Josh Pritchard finds that Wild Swimming lives up to the ‘wild’ in its name, even if by the end the action can get repetitive
![‘Unworthy scaffold[s]’: The unspoken successes of student Shakespeare](/images/dyn/t/store/320/180/51379.png)
