The Sitwells, Sagan, and ‘Serious Art’

Archie Hamerton thinks about perceptions of ‘serious’ and ‘unserious’ art across the twentieth century

The Art of Repetition

The Empty Rooms of the Tate

From here, light and sacred draughts

Pride and Prejudice, 207 years on

The other side of window: a poem

We shouldn’t forget that art is personal

Lady Chatterley’s Lover- A Tale of Absences

Most of What Follows is True: An Exploration of Justine Kurland’s Work

In another instalment of her column, Alice Bergin discusses Justine Kurland’s photography.

Reflections on Mrs Dalloway

Scarlet Rowe explores the power of Virginia Woolf’s Mrs Dalloway

Chronicling coronavirus: Who will we want to pen the pandemic?

Visualising the Invisible: the photography of Richard Mosse

Fitz Favourites: La Place Clichy

Getting to know The Tenant of Wildfell Hall

Wuthering Heights - a tale of hate

In the second instalment of her column, Scarlet Rowe examines the much-loved classic, Wuthering Heights

Hidden depths: Self-isolation and the psychology of the swimming pool

In the first instalment of Alice Bergin’s column ‘ARTicle’, exploring new meanings of artwork in lockdown, she reflects on the portrayal of the swimming pool in the arts

Experienced through a screen – Warhol at the Tate Modern

Creative Writing

Thief: A Short Story

Thank you, Jane Eyre

Personal Narrative

Cambridge is in the Heart (Part II)