Is art becoming boring?
From pupil to poet
Art-ificially aesthetic
When a gallery and exhibition harmonise
Opinion
James Bickley wonders if over-analysing art is detrimental
Opinion
Yulianna Nunno discusses how AI is disrupting the creation of art
Ben Bailey examines the development of Cambridge buildings
Interview
Ella Howard discusses iPad paintings, posters and artificial intelligence with Sally Clarke
Interview
Ryan Vowles meets the author to explore Xu’s culture-bridging legacy
Opinion
Binsonite Ben Bailey champions the beauty of concrete and brick
Review
Greg Quinn considers Blake’s poetry alongside Benita Kevill-Davies’ paintings
Beginner's Guide
Having waded through 30 tragedies, Ella Howard summarises the good, the bad, and the forgettable
Interview
Ruby Randall sits down with the ARCSOC life drawing community
Ryan Vowles comes to know the artist Gwen Raverat through her perfect childhood memoirs
Review
Gus Lovell muses on the future of the novel
Interview
Talking with the curator of ‘Made in Ancient Egypt’ Sophie Smout argues that the fee shouldn’t put you off
Off The Bookshelf
In this column, the arts editors discuss the sonnet ‘Michaelmas’ by Malcom Guite
Opinion
Sydney Heintz explores Mervyn Peake’s methodical madness
What's On
Ten events happening in Cambridge, compiled by Sophie Smout
Opinion
Amid relentless routine, Abril Duarte González implores you to craft
Opinion
Rachel Jones uses Shakespeare to reflect on her first year
Review
Otto Bajwa-Greenwood reviews the Fitz’s Discovering Dürer
Review
Rachel Jones unpeels Wendy Cope’s ‘The Orange’
Feature
Elsie Hayward explains why you might like to attend evensong
Feature
Emma Tenzler asks if the university has fully accepted women’s education
Feature
Emily Cushion recounts the rebellious days of Stephen Fry’s time at Cambridge
