Our big, fat annotation addiction
William Morris’ little-known labours in Cambridge
‘Farewell to a Lady’: home thoughts from afar
Feature
Niall Quinn argues that physical annotation is here to stay
Feature
Jasper Finlay Burnside thinks of home, Cambridge, and the gulf between the two
Opinion
Allow your emotions to run wild in art galleries, argues Bryony Clarke
Opinion
Jessica Leer explores the difficulty of sounding different in Cambridge
Feature
Mia Apfel considers how early modern quodlibets shed light on modern pinboards
Opinion
Heather Leigh muses on the benefits of playing board games in your study breaks
Feature
Heather Irvine speaks to art collector Chen Jian on his reinterpretation of Queens’ College’s Mathematical Bridge
Feature
Emily Cushion tells the story of the poet John Berryman’s turbulent time in Cambridge
Opinion
Gina Stock explores the trends and tendencies of book covers
Opinion
Heather Leigh asks if imitation really is the sincerest form of flattery
Opinion
Beatrice Tharme defends the romance genre, exploring its interplay of pulp and protection
Feature
Stefan Tuchel reflects on his first encounter with the enigmatic group, drawn together by one singer’s music
The Agonies
Eve Connor replies to Joe from her travels abroad, reflecting on her imbrication with the cosmos, and her asthma
Feature
Ryan Vowles explains the meaning behind Cambridge’s coat of arms
Feature
Emma Tenzler recounts three chance encounters which defined literature
Opinion
Ben Birch thinks about the University’s legacy and asks what kind of culture we are cultivating today
Postscripts
Megan O’Neil shares a poem, and speaks to Eve Connor about the sounds of words and the secrets of poetry
Opinion
Jen Price questions why Cambridge lacks an iconic novel of its own, and how it suffers without one
Feature
Ever wanted to look clever in a gallery? Here’s Colette Grice‘s guide to putting a figure to your favourite pieces of art
Opinion
Following the shattering of an Ai Weiwei sculpture, Beth Scott looks back at the artist’s own act of destruction
Feature
Ben Birch recounts his recent attendance of an art auction, in which he questions reality and leaves empty handed
Feature
What’s the story behind the grey, brutalist buildings ?
Feature
Ben Birch looks back at the great poet’s first week in Cambridge
