Exploring Cambridge’s modernist architecture
Off the bookshelf: ‘Invitation’ by Mary Oliver
Fact-checking R.F. Kuang’s Katabasis
What counts as art, and who gets to decide?
Review
Bryony Clarke explores what Rufino Tamayo’s unique collection teaches us about exhibition
Column
In the harsh January winter, Emma Gower and Eimear McElduff seek warmth from poetry
Review
Sophie Smout reads some teenage fiction to feel festive
Feature
Rachel Jones guides us through Cambridge’s world of cheap print
Opinion
Emma Gower sees love even in the small things
Review
Greg Quinn and Sophie Smout attend Harold Offeh’s exhibition preview
Feature
Otto Bajwa-Greenwood muses on the difficulty of writing museum labels
Opinion
Molly Weston examines the ways in which Dante’s Divine Comedy mirror the Cambridge experience
Feature
Ben Birch explains why commercial galleries are all white cubes
Review
Sanaer Madden explores environmental art at Claire-Julia Hill’s gallery
With his new camera Fabian Chan returns to Singapore after a year away
Feature
Niall Quinn argues that physical annotation is here to stay
Feature
Jasper Finlay Burnside thinks of home, Cambridge, and the gulf between the two
Opinion
Allow your emotions to run wild in art galleries, argues Bryony Clarke
Opinion
Jessica Leer explores the difficulty of sounding different in Cambridge
Feature
Mia Apfel considers how early modern quodlibets shed light on modern pinboards
Opinion
Heather Leigh muses on the benefits of playing board games in your study breaks
Feature
Heather Irvine speaks to art collector Chen Jian on his reinterpretation of Queens’ College’s Mathematical Bridge
Feature
Emily Cushion tells the story of the poet John Berryman’s turbulent time in Cambridge
Opinion
Gina Stock explores the trends and tendencies of book covers
Opinion
Heather Leigh asks if imitation really is the sincerest form of flattery
Opinion
Beatrice Tharme defends the romance genre, exploring its interplay of pulp and protection
