A trad-ish-onal Christmas with Dash and Lily’s Book of Dares
You’re invited to Cambridge’s zine scene
Peter Macdonald and the dialogue between eye, art and algorithm
Review
Sophie Smout reads some teenage fiction to feel festive
Feature
Rachel Jones guides us through Cambridge’s world of cheap print
Opinion
Emma Gower sees love even in the small things
Review
Greg Quinn and Sophie Smout attend Harold Offeh’s exhibition preview
Feature
Otto Bajwa-Greenwood muses on the difficulty of writing museum labels
Opinion
Molly Weston examines the ways in which Dante’s Divine Comedy mirror the Cambridge experience
Feature
Ben Birch explains why commercial galleries are all white cubes
Review
Sanaer Madden explores environmental art at Claire-Julia Hill’s gallery
With his new camera Fabian Chan returns to Singapore after a year away
Feature
Niall Quinn argues that physical annotation is here to stay
Feature
Jasper Finlay Burnside thinks of home, Cambridge, and the gulf between the two
Opinion
Allow your emotions to run wild in art galleries, argues Bryony Clarke
Opinion
Jessica Leer explores the difficulty of sounding different in Cambridge
Feature
Mia Apfel considers how early modern quodlibets shed light on modern pinboards
Opinion
Heather Leigh muses on the benefits of playing board games in your study breaks
Feature
Heather Irvine speaks to art collector Chen Jian on his reinterpretation of Queens’ College’s Mathematical Bridge
Feature
Emily Cushion tells the story of the poet John Berryman’s turbulent time in Cambridge
Opinion
Gina Stock explores the trends and tendencies of book covers
Opinion
Heather Leigh asks if imitation really is the sincerest form of flattery
Opinion
Beatrice Tharme defends the romance genre, exploring its interplay of pulp and protection
Feature
Stefan Tuchel reflects on his first encounter with the enigmatic group, drawn together by one singer’s music
The Agonies
Eve Connor replies to Joe from her travels abroad, reflecting on her imbrication with the cosmos, and her asthma
