‘A tracklist of thrilling variety’: It’s Almost Dry review
“Effortlessly captivating and endlessly impressive”: MUNA at The Garage, Highbury
Eurovision: Has Russia sung its last song?
‘The sunshine bores the daylights out of me’: Exile on Main St. at 50
Concert Review
Vulture Editor Josh Osman reviews the awe-inspiring live performance of pop band, MUNA, in their gig earlier this week
Review
Ryan Keys tackles the latest studio album from Pusha T
Long Read
Tilda Butterworth reflects on her experiences of the charismatic performances of Wolf Alice on the final nights of their tour
Sianna King reviews Miranda Lambert’s recent London Concert
Interview/Long Read
Music Editor Josh Osman chats with Mia Berrin of Pom Pom Squad, about coming-of-age, ‘riot grrl’ and reclamation
Review
Sarah Abbas praises Mitski’s sixth album ‘Laurel Hell’ and discusses its portrayal of her complex relationship with the industry
Kwaku Gyasi delves into the duality of posthumous projects as either genuine tributes to, or the exploitation of deceased artists
Sianna Kings discusses Morgan Wallen and racism in country music
Nadya Miryanova discusses the creative process and difficulties of creating a project in a lockdown with Isle of Wight-based singer-songwriter Ulysses Wells
Lana Del Rey ‘lets people into her mind once and for all’ on latest album, writes Sianna King
Famke Veenstra-Ashmore reviews the latest album ‘The Nearer the Fountain, More Pure the Stream Flows’ from the prolific Damon Albarn, praising its reflective sense of intimacy
FINNEAS’ debut album Optimist is a pertinent reflection of the liminality and anxieties that characterise contemporary society, writes Margherita Volpato
Staff Writer Joe Bray provides a soothing playlist to help ease the autumn blues
In her third album, Adia Victoria gives a haunting and defiant depiction of the South, writes columnist Sianna King
Uma Suri enjoys the energy and slick performance of Fontaines DC at their latest Cambridge gig
Music Editor Maddy Fisher chats with musician Self Esteem about prioritising pleasure, the joy of dance, and hating the word “indie”.
Feature
From pub gigs to festivals, Tilda Butterworth experiences the return of live music in post-lockdown Britain.
Interview
David Cotter catches up with Steve Hackett, former lead guitarist of Genesis and fresh from the relase of latest solo album Surrender Of Silence, to discuss spontaneity, revisiting the past, and the thrill of live shows
Sianna King dissects the popularity of producers Jack Antonoff and Dave Cobb, looking at how their less-is-more approach has gained in popularity
Interview
Nadya Miryanova talks to musician Ulysses Wells about his recent single “You Wanted It Over” and its accompanying music video
Music editor Rishi Sharma reviews the latest album from the London rock group
Maddy Fisher reviews St. Vincent’s newest album, which is her first since 2017′s MASSEDUCTION
Following the French duo’s split, columnist Faiz Ghaffar explores the link between the EDM pioneers’ music and their distinctive image
Columnist Rose Green examines how the music of lockdown can help us prepare for life after the pandemic
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