Theatre: Interruption
Lawrence Bowles on a piece of devised theatre he finds successful
Devised pieces are a divisive topic. I would argue that being free of any preconceived script or structure frees a production from convention and allows it to explore exciting new theatrical territory. However, there are plenty more who think this is a load of pretentious rubbish and that devised theatre never advances past the A-level drama exam stage. Similarly, I think Interruption is a divisive play: some, such as I, will love its non-linear plot and frequent a cappella music sections, while others will fume while munching the jelly babies they found on their seats, frustrated at the mocking reminder that they could have gone to Cindies instead.
The play starts slowly, introducing our two recurring characters, Jack and Jill, as an elderly couple nibbling on sandwiches as the sun rises. The pace rapidly picks up, however, as we are drawn into a series of glimpses of the what-ifs and might-have-beens of their relationship up to that point, as well as monologues from the people who knew them. It takes a while to piece the fragments of the story together, joining up the dots to complete the outline of this haunting tragedy, but the effort makes Interruption all the more satisfying.
The acting from this ensemble cast is excellent across the board, with a truly impressive capacity for emotion. The physical sequences were powerful and moving, and served not only to amuse but also advanced our understanding of the plot. The singing – well, alright, the singing wasn’t all that great, but it wasn’t awful, and more importantly it complemented the rest of the performance gracefully.
In fact, there are all the constituent parts of a great performance here. There’s also the host of little additions that make a huge difference to the audience’s enjoyment of the show, such as the sash and glasses to signify who’s playing who as the roles get passed around the room and the tiny jelly baby packets on each seat. All it lacks is the cement to hold it together. The play has a disjointed feel due to the sudden breaks between spoken and physical theatre, making it that much harder to follow the fairly intricate plot.
Nonetheless, Interruption is a great example of devised theatre done well. Those of you who like this particular kind of production will surely find it a real delight; those who don’t will still be impressed with the quality of the performances. And either way, watching Interruption is still far preferable to getting your jelly babies from Cindies.
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