29 results found, showing 1–20

Music
Bethan Holloway-Strong looks at the Scissor Sisters’ cover of Pink Floyd’s “Uncomfortably Numb” and investigates the relationship between original songs and covers

Music
Bethan Holloway-Strong reflects on her conversation with the Jazz Soc committee

Theatre
Writer Bethan Holloway-Strong reviews Garry Bonds’ Balanced Breakfasts at the Corpus Playroom

Theatre
Theatre Editor Bethan Holloway-Strong presents a brief history of the aquatic dramatic

Theatre
Theatre Editor Bethan Holloway-Strong reviews the toe-tapping Lent Term Musical

Theatre
Theatre Editor Bethan Holloway-Strong reviews this award-winning student writing and ends up in an internet crisis

Theatre
In a preview of Ed: The Musical, Theatre Editor Bethan Holloway-Strong gets a behind-the-scenes look at this week 6 show

Theatre
Theatre Editor Bethan Holloway-Strong reviews this week’s Corpus mainshow, a look into an all-too-near future

Theatre
Theatre Editor Bethan Holloway-Strong is overwhelmed by the extremes of this week’s ADC mainshow

Theatre
Theatre Editor Bethan Holloway-Strong sits down with the minds behind the reimagined classic taking the ADC stage next week

Theatre
Theatre Editor Bethan Holloway-Strong looks into the mirror of this week’s Corpus lateshow

Theatre
Theatre Editor Bethan Holloway-Strong considers what we can learn from our Year 11 selves

Theatre
Theatre Editor Bethan Holloway-Strong reviews what 24 hours can produce on the ADC stage

Theatre
In conversation with the directors and cast of Week 0′s Corpus main

Theatre
The Theatre team select their top performances of the term, from Pass Over to Dogfight

Theatre
Bethan Holloway-Strong reviews The Last Days Of Judas Iscariot, which is running at the Fitzpatrick Hall

Theatre
Bethan Holloway-Strong reviews The Kitchen Sink at the Corpus Playroom, this term’s CUADC Fresher play

Theatre
Bethan Holloway-Stong reviews Antigone: The Musical at Robinson College, a tuneful take on an Ancient Greek tragedy 3.5 stars

Music
Bethan Holloway-Strong examines how the album is unexpectedly relevant today