Feature
Ahead of a term of Shakespeare studies, Elsie Hayward ponders the benefits of student stagings of the Bard
Review
A directionless script lets down a masterful lead performance
Review
Lauren Welsby-Riley finds Sweeney Todd to be slightly half-baked
A novel sci-fi dramatic-comedy promising to strike the heart of the Cambridge cosmos
With humour by turn slapstick and subtle, this dark comedy overcomes a clumsy allegory to delight its audience3 stars
Review
Orpheus in the Underworld: an operatic masterclass executed with the endearing awkwardness and sonar superiority of the Cambridge University Opera Society 3 stars
Review
Does Blackboard (Keep ya’ head up) leave us head over heels for its electrifying venture into the world of ‘tragicomedy’? 3.5 stars
Review
This Gilbert and Sullivan classic is full of enchanting visuals and standout performances 3stars
Opinion
Molly Scales defends the importance of reviews in student theatre
Review
In the intimate setting of Clare Chapel, this adaptation captivates with its minimalist yet powerful staging 4 stars
Review
This horror-thriller turns the lights down but ramps the spook-factor up
Preview
Bex Goodchild sits down with the team behind Sherlock Holmes
Review
Absurdist fiction intertwines with the harsh reality of Alzheimer’s and Dementia in this deeply touching performance 4.5 stars
Review
Trinity Hall Music Society puts on a show filled with creativity, laughter and merriment
Interview
Eva Weinstein talks to Temper Theatre’s Artistic Director Finn Morrell
Behind the Curtain
Gina Stock speaks to some of the unsung heroes on the unpopular role of producer
Review
BATS didn’t do us dirty with this powerful and innovative production of Sarah Kane’s notoriously disturbing play
Preview
Martha Vine sits down with writer Eve Connor and director Jennifer Chen to discuss their “cosy” two-person production.
Review
I walked all the way to Girton, and it was well worth it
Review
You don’t have be Sherlock Holmes to detect this comedy gold
Review
Manon Harvey praises an explosive celebration of queer joy
Review
Beatrice Coulter remains in the dark after futile light was cast on some provocative questions
Review
Iris Jopp isn’t sleeping on this well-directed musical 5 stars