Interview
Loveday Cookson speaks to Leo Kang and Famke Veenstra-Ashmore about the publication of this year’s Mays anthology
Poppy Miller argues that it’s important we soak in as much art as we can, even in the midst of a hectic term
Investigation
Film photography is once again in vogue, and Esmé Cockain investigates why
What should institutions do to uplift marginalised voices?
Feature
Madelaine Clark contemplates the timeless ‘betweenness’ of the gallery
Opinion
Felix Armstrong argues that Cambridge internalises and preserves its own fictional stereotypes
Review
Tim Head’s ‘How It Is’ offers a retrospective look at the artist’s work, picking apart with forensic scrutiny the anxieties of our past and present
Interview
The Times chief art critic on her novel Ways of Life: Jim Ede and the Kettle’s Yard Artists
Review
Sokhanvari’s new Cambridge based exhibition paints a vivid picture of the socio-political complexities of Iran’s past and present
From page margins to abandoned puppets, Loveday Cookson reflects on the ‘footprints’ of art in the everyday, a path well travelled along which we step closer towards ourselves
Review
Benjamin Knight reviews the Palestinian Embroidery exhibition at Kettle’s Yard, alongside Mediterranean Embroideries at The Fitzwilliam Museum
Feature
In an ode to Katherine Mansfield, Priya Abularach bakes Miss Brill’s honey cake and shares her musings on literature and food
column
Eve Connor ponders cat puppets, Shakespeare and power in the wake of Charles III’s coronation
Sasha Brealey reflects on her daunting but deeply rewarding foray into framing pictures
Head to head
David Quinn and Peter Rusafov tackle the biggest divide in the booklovers’ world: first-hand or second hand?
Review
Kate Mia-Diamandi reflects on a transformative display which proves that art and academia truly can go hand in hand.
Review
David Quinn discovers surprising layers to a poet he thought he knew
OPINION
Leo Kang argues that the monarchy has no place in poetry
Knickknacks
An encounter with Pokemon cards inspires this rumination on friendship, memory, and the value of collecting
Infamous art forger Max Brandrett speaks at the union about forgery, painting, and a run-in with the Kray twins
Jamie Chong reflects on the poet’s legacy as a powerful voice for queer loss, love and life
Knickknacks
What can a crocheted boob tell us about belief and art?
Knickknacks
In the second installation of her column, Eve Connor discusses what we can learn about connection from a pair of fingerless gloves
Feature
Jamie Chong contemplates the ways in which Cambridge has shaped and inspired writers