Global Frames: Burkina Faso 
Global Frames
Freya Compton investigates the dynamic cinema of Burkina Faso
Feature
Jacob Smith analyses how directors can innovatively convey narrative perspective
Feature
Ethan Daws reflects on Noah Baumbach’s poignant campus film
Interview
Hilary Lau speaks to filmmaker Phoebe Cleghorn about her short film tackling violence against women
Feature
Jacob Smith explores the renewed interest in analogue film
Interview
Amanda Ljungberg interiews Maddy Gordon-Finlayson, director of the Watersprite Film Festival, on her work supporting underprivileged filmmakers
Review
Does My Oxford Year offers anything beyond clichés in its portrait of Oxford life?
Watchlist
Audrey Campillo Perry recommends the perfect films to cap off your summer and prepare for term
Review
Amanda Ljungberg sifts through the chaos of Ari Aster’s pandemic-era neo-Western
Opinion
After the release of How To Train Your Dragon, Hilary Lau asks if live-action films are preserving stories or profit
Feature
Salomé Gakwaya sells a full day out of drinks and films on St Andrew’s Street
Opinion
Frida Bradbrook explores how the common experience of imposter syndrome leads to an increased desire for easy-to-consume and make fun of media
Opinion
Lara Davis considers the emergence of creative cowardice and the repetitive franchise
Global Frames
Louis Gentle unpacks how Brazilian cinema has moved beyond its exoticized origins in classical Hollywood
Feature
Jaipreet Lully speaks with Cambridge film societies on the political potential of film and TV.
Review
Salome Gakwaya explores how sex work is depicted in Sebastian
Review
Ellie Smith asks whether Bong Joon Ho’s latest feature lives up to Parasite‘s expectations
Opinion
Ruby Randall explains the importance of positive climate impact in film
Opinion
Mia Da Costa explores the problems with the elevated horror label
watchlist
Daisy Simpson provides a romantic watchlist, complete with a ‘smiles and sniffles’ rating
Opinion
Ezra Izer confronts the ethical horrors of Mr Beast’s scrollable television show
Review
Ellie Smith reviews the latest Robert Eggers horror film
Review
Reuben Aston explains why Mohammad Rasoulof’s latest feature film is a harrowing but necessary film for 2025
Review
Amanda Ljungberg reviews Netflix’s highly anticipated Squid Game season 2
