The Eddington disconnect
The plight of live-action
Review
Amanda Ljungberg sifts through the chaos of Ari Aster’s pandemic-era neo-Western
Opinion
After the release of How To Train Your Dragon, Hilary Lau asks if live-action films are preserving stories or profit
Feature
Salomé Gakwaya sells a full day out of drinks and films on St Andrew’s Street
Opinion
Frida Bradbrook explores how the common experience of imposter syndrome leads to an increased desire for easy-to-consume and make fun of media
Opinion
Lara Davis considers the emergence of creative cowardice and the repetitive franchise
Global Frames
Louis Gentle unpacks how Brazilian cinema has moved beyond its exoticized origins in classical Hollywood
Feature
Jaipreet Lully speaks with Cambridge film societies on the political potential of film and TV.
Review
Salome Gakwaya explores how sex work is depicted in Sebastian
Review
Ellie Smith asks whether Bong Joon Ho’s latest feature lives up to Parasite‘s expectations
Opinion
Ruby Randall explains the importance of positive climate impact in film
Opinion
Mia Da Costa explores the problems with the elevated horror label
watchlist
Daisy Simpson provides a romantic watchlist, complete with a ‘smiles and sniffles’ rating
Opinion
Ezra Izer confronts the ethical horrors of Mr Beast’s scrollable television show
Review
Ellie Smith reviews the latest Robert Eggers horror film
Review
Reuben Aston explains why Mohammad Rasoulof’s latest feature film is a harrowing but necessary film for 2025
Review
Amanda Ljungberg reviews Netflix’s highly anticipated Squid Game season 2
Opinion
Daisy Simpson gets in the Christmas spirit with praise for The Holiday
Review
Ismail Sheikh finds in The Apprentice a message for the future of American democracy
Feature
Ismail Sheikh explores the historic folklore behind some of the most iconic horror films
Watchlist
Salome Gakwaya challenges herself to a week of classic watching to break up the challenges of Cambridge life
Opinion
Sex and the City isn’t hitting the same for Gen Z
List
Stella Williamson shares a watchlist for life’s big moves
Opinion
Gina Stock examines why and how actors direct, and vice versa.
Opinion
Is Pixar doing enough for cultural representation?
