While many hallmarks of musical theatre have graced Cambridge in the past year, the understated John & Jen makes for an impressive opening to Easter Term. The show follows two relationships: the first between a brother and sister, the second between a mother and son. This week’s Corpus Playroom production attentively unpacks some of the more complex issues surrounding family ties as we trace their development over the years and generations. With its clever balance of comedy and heart, and peppered with insightful nuances, John & Jen is an undeniable success. 

James Daly and Olivia Gaunt deliver outstanding vocal performances throughout, impressively capturing the sudden highs and lows of family relationships. Every scene brings with it a new number packed with boundless energy. In particular, the comedic elements of “Little League” are timed perfectly and were met with many laughs from the audience. Special mention must also go to Gaunt’s touching rendition of “Epilogue”, which was quite simply extraordinary.

In creating the close ties between John and Jen, the intimacy of the Corpus Playroom is used to admirable effect. The naturalistic lighting patterns imbue the space with warm undertones, while the busy set of cupboards, sheets and general household clutter establishes a cosy family environment. The orchestra is dotted around the stage, further enhancing the intricate layout.

This dynamic setting ties in well with the fast, although at times slightly frenzied, pace of the production to capture the sudden twists and turns experienced by family bonds. The intimate relationship created between John and Jen depicts not only how family members transform over time, but also how these changes are perceived and comprehended by their loved ones. As John and Jen both take on new characteristics and personality traits, their interactions with each other and their surroundings conjure up a moving portrayal of the various meanings of family.

The excellence of John & Jen lies, above all, in its nuances. While based around the complexities of family relationships, John & Jen spans across four decades and no opportunity is missed to track their developments over time. The aging of the characters is captured with impressive clarity, even the more subtle distinctions between their adult years.

Furthermore, the transitions between generations and decades are effortlessly conveyed through costume changes, while clever references to eras and trends are made through careful choice of props. Arguably the most effective and impressive creation is the mock 1980s talk show sequence, which sparkles with authenticity and remarkable detail.

While musicals may traditionally be associated with boldness and brashness, with John & Jen Ellie Coote brings to light some of the more understated aspects of musical theatre. A funny, heartfelt and endearing production, John & Jen is a masterful start to Easter Term.